Short Preview of WALL-E

Quint of aintitcoolnews visited San Fransico and was able to view 35 minutes of the new WALL-E movie. Below is a short preview of what Quint saw while viewing WALL-E.

"The next clip has Wall-E showing EVE around his pad. EVE is a slick new probe robot that Wall-E is head over heels in love with. It’s really cute seeing him go around trying to impress her… She’s a bit jumpy and has a big gun that pops out of her hand when she gets spooked.

The very first thing she looks at is a mounted bass, which starts to sing and move at her and her green eyes go red and she whips up her transformed gun-hand. Wall-E stops her from blowing a hole in his home, but just barely. He shows her a few things, including bubble wrap. She electronic giggles at it and when he goes away she rapid-fire pops all the bubbles, making the plastic fold over her hand, bubble-less and limp.

Wall-E comes back with a lightbulb. He hands it to her and it immediately lights up in her hands. He takes it back quickly, tapping it. This hasn’t happened before… She holds it again and it again it lights up. He gives her a Rubix Cube, all mix-matched and goes to find one of his most prized possessions, a video cassette tape" ...read more of this article

WonderCon: WALL-E - New Footage & Digital Disney 3D Possibilities?

Article posted on Slashfilm by Peter Sciretta

It’s no secret that the film I’m most anticipating in 2008 is Pixar’s WALL-E. I fell in love with the movie when I saw the first teaser trailer and have been closely following the film ever since. Andrew Stanton, the Academy Award winning director of Finding Nemo, came across the bridge to San Francisco to premiere five video clips from WALL-E.

Partly inspired by Luxo Jr, the idea was created machine first, character second. Stanton said the idea was born at an A’s game (the audience booed), Stanton quickly added “rooting for the Red Soxs” (the audience cheered). He spent an entire inning playing with binoculars. Able to get a whole personality just from that simple design. The rest of his look came directly out of the functionality he was supposed to have.

“I wanted to believe that a robot is really there. I wanted to believe he is really a robot and not just a human in a robot shell.”

An audience member asked if Short Circuit partly inspired the design. It seemed like a question Stanton is already tired of hearing. He said that it might be possible that he was subconsciously inspired by Johnny 5 but probably not. The bionoculars served more to inspire WALL-E’s eyes. Stanton also admitted that he had seen Short Circuit only once, long ago.

Stanton talked about his formative years, and growing up in the golden age of sci-fi films. He really missed the feel of that genre of films. He said the biggest improvement to the technology behind this film involved the filming techniques. He wanted to capture the look and feel of the 70mm sci-fi films from his youth, and tech has attempted to emulate things like barrel distortion and lens flares, but not accurately. He says that some of it might not be noticeable to most.

Stanton set up the footage explaining that somewhere in the future, over commercialism has left earth covered in trash. The Human race took off on a space cruise, leaving robots to clean up the mess. All the robots broke, except one, and the humans mysteriously never returned...read more

WALL-E review by Jim Hill

Jim Hill shares what he knows about Andrew Stanton's next film. Which is a significant departure from everything that Pixar Animation Studios has done to date. WARNING !! There be spoilers ahead !

By now, you've probably seen pictures of "WALL E" 's title character. Maybe you've even caught a glimpse of this film's unique-looking logo.

But what do you actually know about Pixar's 2008 release? Very little, I'll bet. Which is standard operating procedure for this Emeryville-based animation studio. They like keeping the storylines for their upcoming animated features under lock & key for as long as possible.

But "WALL E" went over the wall (so to speak) last week. You see, I had the chance to talk with someone associated with this new Andrew Stanton film who just couldn't contain themselves. They had to talk about "WALL E."

Why For? Because this individual believes that Stanton's next movie is important. That it's going to be such a step up from the work that Andrew did on "Finding Nemo" that "WALL E" is going to shock people. Both for its choice of source material as well as its style of storytelling.

And the story that this animation insider told me ... It's such a departure for Pixar, such a ballsy choice that one wonders how mainstream audiences are actually going to react to "WALL E." Will they be able to embrace a message movie that so liberally mixes science fiction & satire?

Be warned, folks. If you don't want to know anything about the story of Pixar's Summer 2008 release, now would be a really good time to bail out of JHM. For I'm about to give you the skinny on "WALL E."

Still there?

Okay. Here goes ...

"WALL E" starts out on Earth in the year 2700. Which -- due to the horrible way that humans have treated this planet -- is now just one massive trash heap floating in space.

Earth in fact has become so toxic that -- centuries before our story actually gets underway -- mankind has abandoned the planet. We're now all living aboard the Axiom, this massive spaceship that circles high overhead. Waiting for the day that the planet once again becomes inhabitable.

But the only problem is that mankind hired this enormous, inept corporation -- Buynlarge -- to supervise the clean-up effort. And that company -- in turn -- sent hundreds of thousands of robots down to the planet's surface to pick up all of the trash.

But Buynlarge's Waste Allocation Load Lifters -- Earth Class units really weren't up to the task. And so -- over the centuries -- these robots slowly began breaking down. Until now (as the film's story finally, officially gets underway) there's only one WALL E left running on the entire planet.

And so every morning, this WALL E powers up and then tries to accomplish the task that he's been programmed to do. Which is pick up all of the trash that's been scattered around the Earth. It's obviously an impossible job. But still this robot (with the help of his pet cockroach, Spot) does what he can every day.

But here's the thing, folks. Over the past 700 years, WALL E has gotten ... quirky. To be specific, he's become somewhat self-aware & curious.

"Curious about what?," you ask. Well, humans for starters. Over the centuries,
this WALL E has collected an amazing array of human artifacts. Things like a Rubik's Cube, a lightbulb, a Playmate portable ice chest. But this robot's proudest possession is an old VCR. On which he plays -- over and over again -- a VHS copy of "Hello, Dolly !"

Now let's pause here for a moment and just think about that. Everything that this robot knows (Or -- more importantly -- thinks he knows) about mankind, he's either learned from picking through garbage and/or by watching a 700-year-old Barbra Streisand film.

Anyway ... Given that he's the last operational robot left on the planet, with only Spot to keep him company, WALL E has become lonely. He longs for companionship.

Which is why this robot is thrilled one morning when a spaceship almost lands on him. And what should float out of the craft but this sleek new unit, EVE.

Eve has been sent down to Earth to find ...something (Sorry. But I really don't to give "WALL E" 's entire story away with today's article). And as this sleek new unit hovers around the planet, endlessly scanning the Earth's surface ... WALL E follows along behind EVE like a lovesick pup. Desperate to get her attention, to have this newer model notice him.

It isn't 'til a sudden sandstorm forces WALL E & EVE to seek shelter in the very same vehicle that these two mechanical devices then really begin trying to communicate. With the trash-collecting robot trying to impress this more advanced model by showing off his collection of rare human artifacts.

But then EVE is recalled. And as she reboards her craft to return to space, WALL E has a decision to make. Should this robot just do as he's programmed? Remain on Earth and continue to pick his way through those never-ending mountains of trash? Or should WALL E actually take a chance, continue to try & win EVE over by following her out into outer space? At the very last moment, as EVE's rocket is actually blasting off, WALL E latches onto her craft. And this robot -- along with the rocket -- is hurtled off into space. Which is where the real fun begins ...

Now keep in mind that all I've described here is just the first third of "WALL E." Which plays out with little or no dialogue. By that I mean: The age-old trash-picking robot and the sleek new scanning droid may beep & boop at one another. But -- with the exception of the music & the dialogue that we hear coming from that VCR that plays "Hello, Dolly !" -- that's it. The rest of this section of Pixar's 2008 release is (in effect) a silent movie.

And wait 'til you see what happens to WALL E once he gets on board the Axiom and finds out what has become of mankind. How -- because humans have grown even more lazy in the 700 years that they've been off Earth -- we're all now just these enormous fat blobs who can only move about because we travel in huge floating lounge chairs.

The rest of this amazing motion picture is set deep out in space, where WALL E runs into some even more mis-begotten creatures ... And some 700 years after doing what he was built to do, this robot will finally discover what he was meant to do.

Trust me, folks. This is just the tip of the iceberg when it comes to "WALL E." There are so many other aspects of this Andrew Stanton that are daring and/or charming. Take -- for example -- Fred Willard's involvment with this production. Fred plays the president of the Buynlarge Corporation. And this will be the very first time that a really-for-real human performer will appear in a Pixar production.

There's so much more to talk about in regards to "WALL E." But -- as I said earlier -- I don't want to totally ruin this upcoming Pixar release for you. I just want to give JHM readers some sense about the size & the scope of the story that Andrew Stanton is trying to tell here. The sort of a picture that he's trying to make this time around.

Given what you heard so far, aren't you interested in learning how the rest of "WALL E" plays out? The story that starts in the year 2700. After Earth has been abandoned. But someone forgot to turn the last robot off.